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Zootopia 2
Jason Bateman, Ginnifer Goodwin, Guan Jiwei, Shakira, Kunta Brunson, Fortune Feimster
Brave rabbit cop Judy Hopps and her friend, the fox Nick Wilde, team up again to crack a new case, the most perilous and intricate of their careers.
The Roses
Benedict Cumberbatch, Olivia Colman, Andy Samberg, Kate McKinnon, Allison Janney, Belinda Bromilo, Sunit Mani
Ivy and Theo are a perfect couple, successful in their careers and happily married. But beneath the surface of their so-called ideal life, a storm is brewing - Theo's career is plummeting, while Ivy's ambitions are growing, fierce competition and hidden resentment are about to explode.
The Fantastic Four: First Steps
Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Ralph Ineson, Julia Garner, Paul Walter Hauser, John Malkovich, Natasha Lyonne, Sarah Niles
Set in a retro-future world inspired by the 1960s, Marvel's first family, Mr. Marvel (Pedro Pascal), the Invisible Woman (Vanessa Kirby), the Human Torch (Joseph Quinn) and the Thing (Ebon Moss-Bachrach), face their most daunting challenge yet. They must balance their heroic roles with family relationships while defending Earth from a greedy cosmic god named Galactus (Ralph Ineson) and his mysterious emissary, the Silver Surfer (Julia Garner). And when Galactus plans to devour the entire planet and everyone in it, no one can stay out.
Godzilla x Kong: Supernova
Kaitlyn Dever, Jack OConnell, Dan Stevens, Sam Neill, Alycia Debnam-Carey, Matthew Modine, Delroy Lindo
While the film continues the epic behemoth showdown between the previous film, it will also introduce multiple human characters to fight alongside Godzilla and King Kong to fight against a catastrophic threat that could destroy the world.
28 Years Later
Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Jack OConnell, Emma Laird, Erin Kellyman, Edwin Redding, Christopher Fulford
A group of survivors of the rage virus lives on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors.
The Naked Gun
Liam Neeson, Pamela Anderson, Paul Walter Hauser, CCH Pounder, Danny Huston, Kevin Durand / Cody Rhodes...
Only one man has the particular set of skills - to lead Police Squad and save the world.
Mountainhead
Steve Carell, Jason Schwartzman, Rami Yusuf, Andrew Daly, Cory Michael Smith, More...
It tells the story of what happens when a group of billionaires who are friends get together as an international crisis continues to spread.
The Long Walk
Garrett Walling, Mark Hamill, Judy Greer, Charlie Plummer, Wang Ban, David Rongsong, Cooper Hoffman, Roman Griffin Davis...
A group of teenage boys compete in an annual contest known as "The Long Walk," where they must maintain a certain walking speed or get shot.
Superman
David Corensway, Rachel Brosnahan, Nicholas Hoult, Eddie Gathegi, Anthony Carrigan, Nathan Fillion, Isabella Merced, Skyler Gisondo
Superman must reconcile his alien Kryptonian heritage with his human upbringing as reporter Clark Kent. As the embodiment of truth, justice and the human way he soon finds himself in a world that views these as old-fashioned.
Elio
Jonas Kibreab, Zoe Saldana, Remy Edgerly, Brad Garnett, Jamila Jamil, Shirley Henderson, August Linn
Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be.
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Movies That Fans Can’t Stop Watching — And Reviewing
Death of a Unicorn
A father (Paul Rudd) and his daughter (Jenna Ortega) accidentally encounter a unicorn on their way to a weekend getaway, and his billionaire boss (Richard E. Grant) wants to exploit the unicorn's magical healing powers.
Companion
A group of friends head to a remote cabin for the weekend, but their peaceful vacation is thrown into chaos when they discover that one of their companions is not who they seem...
La prisonnière de Bordeaux
Alma lives alone in a spacious townhouse, while Mina is a single mother from another city who lives in a low-rent apartment. The lives of these two women revolve around prison visits. Their partners are imprisoned in the same prison for different reasons. Once in the rest area outside the visiting room, Alma and Mina met by chance, and an unexpected friendship began...
Sidelined: The QB and Me
Dallas (Siena Agudong) is an aspiring dancer determined to attend California Institute of the Arts, her late mother's alma mater. However, this dream is derailed when Drayton (Noah Beck), the high school's cocky star quarterback, enters her life with his own unique story. Will the two of them be able to grow together and achieve their dreams, or will their dreams be marginalized?
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View AllStraight Talk from Cinephiles — Passionate, Bold, and 100% Real
Joy
What touched me the most in this movie was what the head nurse said: "We are here to provide these women with choices." Whether it is abortion or IVF, it is a choice that should belong to women and is an option that science can provide to them. At the beginning of the year, I interviewed a patient with cervical cancer during pregnancy. For a young woman who is extremely eager to have children, the cruelest thing is to tell her at the same time: Congratulations! There is a new life growing in your uterus, but unfortunately, there is also a tumor in it that will take your life. Many hospitals advised her to stop the pregnancy and treat the cancer as soon as possible, but she was very determined. She told me that she wanted to keep the child no matter what. Finally, only our hospital agreed to treat her. Two department directors performed an operation together, helping her deliver the baby and remove the tumor at the same time. The baby is very healthy and the mother is very happy. The teacher told me that this is very worth promoting. In the past, you would never have thought that women with cervical cancer could still have children. To be honest, I couldn't agree with her at first. I couldn't understand why this woman risked her life to have a baby. I even criticized her recklessness in my heart and thought her persistence was stupid. And although the treatment and surgery were very difficult, I didn't understand why the hospital promoted the practice of giving birth with tumors.
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Nosferatu
This weekend I came across the horror movie "Nosferatu" that was recommended to me before the Spring Festival. I didn't expect it to be an award-winning movie in Hollywood this year. The movie tells the story of Alan who summoned a ghost as a child and ended up being possessed by it. When he grew up, he married a young real estate agent, Thomas. In order to make a living, Thomas was arranged by the company to go to an abandoned castle to do business with Count Nosferatu. He met the mysterious and terrifying Count Vampire and fled the castle in a hurry. Unexpectedly, the Count Vampire had arrived and caused a plague in the town. He and his wife, together with the professor they invited, began to try to eliminate the Count Vampire. The story framework setting basically replicates the horror narrative of the return of the vampire Count causing the spread of plague in the old movie "Nosferatu" in 1922, and is mixed with the Count's obsession with his new wife in "Bram Stoker's Dracula" in 1992, and then innovatively adds the desire-driven nature of today's trendy female subjectivity. In the end, the movie ends with the Count's terrifying desire gaze at the heroine Ellen, and Ellen, as the subject of desire, is hesitant to speak but easily kills the Count in the end, resulting in a split in the viewing experience. This movie wants to maintain the same Gothic style as the previous one - dim environment background, plain clothes, and towering gloomy castle. Although the atmosphere is well set, the unique aesthetic details of Gothic are not refined enough. The gloomy castle is only left with light and dark silhouettes, making the movie look like a horror shell. As for Depp's daughter Lily, who plays Allen, I personally feel that she is not suitable for this role. Her body shape is not suitable for playing the peerless beauty praised by the real estate boss; and her temperament is rather wooden. She does not have the fragility and confusion of Winona Ryder in "Bram Stoker's Dracula", nor does she embody the tension of female subject desire, only the hysteria when she is possessed by ghosts. The female characters lack flavor, and the male characters are not portrayed accurately. Nicholas Hoult, who plays the newlywed husband Thomas, is middle-aged but not mature enough, so he is suitable as a husband without sex appeal in the movie, but his appearance lacks the Gothic style. And Count Nosferatu in the movie has become a hairy monster, which is also not Gothic. Of course, these are minor flaws. The most serious problem of the film is that the expression of desire is too direct and fragmented. At the beginning, the heroine Ellen summoned the vampire lord because of desire, and then she was in a panic. During this period, the film directly expressed the desire through the wanton flirting between her husband's friend and his wife. Then the newlywed wife directly asked her husband for sex to express her true love for her husband and rejected the vampire lord's sexual request. So the desire either did not appear or was so obvious that it blinded the eyes. Only the detail of the naked girl riding a horse towards the depths of the fog in the middle of the movie was meaningful. At the same time, the movie constantly emphasizes that the Count is powerful. He can control the real estate owner to become his accomplice, and can spread the plague through his coffin. But in the end, Allen kills the Count directly by having sex with him. It can be said that dying under the peony flower is unjust as a ghost! It can be seen that the powerful ability of traditional vampires in the movie is ultimately no match for the powerful consciousness of modern women, and the adaptations that are not beautiful outside the movie have won consecutive photography awards. It turns out that Hollywood movies are gradually regressing!
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Sei nell'anima
The film uses powerful visual language to reveal the violent nature behind this beautiful ideology. On the surface, the film tells a coming-of-age story about youth, rebellion and self-identity; in essence, it quietly presents how beauty is constructed as a tool of social discipline and the painful struggles that individuals experience under this discipline.
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Nobody
"Little People" is a crime action film released in 2021, directed by Ilya Naishuller and starring Bob Odenkirk, Connie Nielsen, Alexi Serebryakov and others. The film tells the story of the protagonist Hutch (Hutch Mansell), a retired agent killer who longs for a peaceful life, but in order to protect his family and children, he has to get involved in gang disputes again. I was deeply impressed by this movie, especially its portrayal and understanding of "little people". People who struggle at the bottom of society are often overlooked, and this movie is a loving tribute to them. The character of Hutch made me see the helplessness and tenacity of an ordinary person in the face of life pressure and danger. Although he was a top agent, after retiring, he just wanted to live an ordinary life. However, for the safety of his family, he had to wield his weapons and become the "nobody" again. The action scenes of the film are very exciting and exciting, which makes people sweat. The acting is also excellent, especially Bob Odenkirk, who successfully portrays a character with both wisdom and courage. In addition, the film's music and photography are also very good, creating a depressing and tense atmosphere for the film.
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Nonnas
Overseas reviews: The film has outstanding advantages. The wonderful performances of veteran actors make the characters vivid and lively. The food scenes are tempting and convey the food culture. The theme is warm and profound. However, there are also shortcomings. The romantic subplot is old-fashioned and the stories of supporting characters are not explored enough. Overall, viewers who like warm comedies and food culture should not miss it. When watching, they can focus on the actors' performances and the emotions behind the food.
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Plainclothes
"Plainclothes Police" and "Brokeback Mountain" do have many similarities, presenting the persecution of homosexuals in a homophobic social environment and the exploration of nature under the moral constraints of sexual repression. The casting of "Plain Clothes Police" is relatively reasonable compared to "Brokeback Mountain". The actors of the fishing enforcement police are necessary to meet the character setting. Most of the castings for same-sex stories are handsome men and beautiful women, as if those with ordinary looks or bad looks are not even qualified to fall in love. The same is true for heterosexual stories. There are even lines that describe handsome men and beautiful women as "ordinary". The casting is completely inconsistent with the character setting, just like I can't believe that Yuan Quan said the classic line in the stage play "Jane Eyre": "Do you think that because I am poor, humble, ugly, and short, I have no soul and no heart? You are wrong! My soul is the same as yours, and my heart is exactly the same as yours! If God gives me a little beauty and a little wealth, I will make it difficult for you to leave me, just like it is difficult for me to leave you now." This is a problem of audio-visual art form and audience aesthetics. Most humans are visual animals, and the Internet images of film and television dramas continue to strengthen the unified mainstream aesthetics. In recent years, domestic film and television dramas have seen another type of casting that does not fit the characters. Many handsome men and beautiful women are cast with actors with non-mainstream aesthetics, which has been ridiculed by netizens and audiences. It is remembered that more than ten or twenty years ago, there were all kinds of beauties blooming on the big and small screens, but nowadays, beauties are hard to find. The casting of Brokeback Mountain was criticized by the original author Annie Proulx. After the movie was released, many viewers followed their five senses and paid more attention to the love story, which weakened the criticism of the times. She received many fan fiction creations that arranged various new boyfriends for Ennis after Jack's death, which completely deviated from the main theme. She hoped that she had never written this story. The original focus is not the love between two men but the mental state and moral environment of homophobia in a specific era and region. For details, please see the original report Brokeback Mountain creator Annie Proulx regrets writing story. If the original casting was selected, it would not have become a classic love movie with so many audiences today. The two straight male actors were too shy to let go when performing the sex scene, but the two female actors exposed their breasts when filming the heterosexual sex scene. Ang Lee may have filmed it for straight male and straight audiences. It is also a merit to let homosexual-themed movies enter the mainstream vision. I remember that I went to the night market to buy pirated VCDs just for Anne Hathaway. I didn’t know the other actors, I was ignorant about sex and unfamiliar with the era, so I didn’t have much impression after watching the movie. Why didn't the film cast the characters according to the original novel? Because what Ang Lee wanted to film was love. He said, "To create a great love story, there must be huge obstacles. The two protagonists are in the American West, where there are masculinity and traditional values. Therefore, everything they feel must be kept secret. It is a precious, special thing that they cannot describe." This sentence also applies to the later "Lust, Caution". The era is not the focus, so it is no wonder that the sex scene is exaggerated to try to rationalize the psychological changes of the characters, and Mr. Yi is sad sitting on the bed after Wang Jiazhi is executed at the end. I still remember that the media hyped the deletion of the seven-minute nude sex scene. Many mainland audiences went to Hong Kong to watch the full version. Later, it was reported that Tang Wei was "banned". I couldn't help but sympathize with her and cut out the next report as a newspaper clipping. The deleted version of the screen shot pirated disc was circulated on the market. It was not until many years later that I had the opportunity to see the full version. After being eroded by various capitalist films in Europe and the United States, I no longer care about large-scale real and fake. When fake is true, true is also false. The truth is actually not important. Choose the one you are willing to believe in, which is your "truth". Of course, adaptation is similar to the secondary creation of fan fiction. The director can have his own understanding of the story, even if it is a disfiguring adaptation. The creator does not have to fear the judgment of the original party. Seeking common ground while reserving differences has its own merits. "Plain Clothes Police" is told from the male protagonist's perspective throughout, inviting the audience to enter the story and empathize with the characters to feel their psychological changes, from suppressing their nature to carefully exploring and finally awakening to facing their true selves. The police and the priest are filmed with a lot of sexual tension, although the audiovisual aspects are a bit flashy and showy. "It'll pass." Is this a slang term exclusive to priests? It immediately reminds me of the ascetic priest in the second season of "Fleabag". Coincidentally, both of them are named Andrew. I can't help but suspect that the director did it on purpose. There is still tomorrow: decriminalization of homosexuality. The 1961 film "Victim"was the first English film in film history to directly mention homosexuality. There was no same-sex sex scene in the whole film. In 1967, the UK passed the Sexual Offences Act to decriminalize homosexuality. Homosexual behavior in private places by men over the age of 21 was no longer a crime. Many people believe that "Victim" promoted legislation to some extent. In the United States, it was not until 2003 in the case of Lawrence v. Texas that the Federal Supreme Court overturned the fines imposed on John Lawrence and Tyron Deviant. This ruling overturned sodomy laws (this law is mainly used to prosecute same-sex sexual behavior in the United States) across the country. Homosexuals have the right to establish their own intimate relationships without interference from state laws. At present, 67 countries still convict homosexual behavior, mainly concentrated in the Middle East, Africa and Russia. Among them, 11 countries can impose the death penalty, including Afghanistan, Brunei, Iran, Mauritania, Nigeria, Pakistan, Qatar, Saudi Arabia, Somalia, the United Arab Emirates and Yemen, of which 8 are Asian countries. According to the survey, the death penalty is still being carried out against LGBTQ+ groups in Iran, northern Nigeria, Saudi Arabia, Somalia and Yemen, while the death penalty is still a legal possibility in Afghanistan, Brunei, Mauritania, Pakistan, Qatar and the United Arab Emirates. The new Criminal Law of mainland China in 1997 abolished the crime of hooliganism, which is considered to be a sign of the decriminalization of homosexuality in China. The current official attitude is similar to "neither support nor oppose nor advocate", and the mainstream public opinion does not agree. The crime of hooliganism is a crime stipulated in the Criminal Law promulgated in 1979, which refers to openly defying national laws and social morality, gathering to fight, provoking trouble, insulting women or disrupting public order and other serious acts. In the 1983 crackdown campaign, the penalty was expanded to the maximum of death. After the 1997 revision, the crime of hooliganism was abolished and it was divided into the crimes of forced indecency, child molestation, gathering for promiscuity, gathering to fight, provoking trouble, etc. The outlet of desire When it comes to the crime of "gathering for lewdness", I think of the report in 2023 that 6 men in Hangzhou were arrested for gathering for lewdness. Many netizens expressed homophobia, while the case of 10 men and women gathering for lewdness in the same period was ignored by most media. Is it because the public is accustomed to the lewdness between men and women and therefore it has no news value? In 2009, there was a "swapping spouse" case involving 22 defendants (14 men and 8 women) that caused a huge public opinion storm. According to the prosecution's data, from the summer of 2007 to August 2009, 22 people participated in 35 gatherings through forums or QQ groups. Among them, the main culprit Ma organized or participated in 18 gatherings, and 14 were held at his home. Among them, there were only two couples, some for seeking excitement, some for improving the relationship between husband and wife, and several women had this sexual fetish. . Ma is an associate professor at a university in Nanjing, divorced and single. He believed that the activities did not constitute a gathering for lewdness and defended his innocence. The other 21 defendants all pleaded guilty, and the case was not heard in public. In the end, he was severely punished for his lack of clear awareness of the social harm and illegality of his behavior, and was sentenced to 3 years and 6 months in prison. Others had a good attitude of confessing their guilt. 18 defendants were sentenced to fixed-term imprisonment ranging from 1 year to 2 years and 6 months, of which 14 were given suspended sentences, and the remaining 3 defendants were exempted from criminal punishment because of their minor crimes and voluntary surrender. The number of people involved in this case set a record since the establishment of the crime of gathering for lewdness, and it was the first time that a person was sentenced to actual imprisonment for this crime. In 2006, a domestic drama "Don't Dance with Strangers"involved the issue of spouse swapping. In the past, the themes of domestic film and television dramas were more diverse than today. Li Yinhe once said that the crime of group lewdness is seriously outdated and suggested abolishing it. She said, "As far as I know, developed countries do not have the crime of group lewdness." "The earliest case of spouse swapping in China occurred in the 1980s. Four middle-aged couples, intellectuals, swapped spouses. The leader was shot, and then one was sentenced to life imprisonment and another to 15 years in prison."
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Treno dei Bambini
Among the films I watched recently, the two most tear-jerking ones, "My Favorite Cake" and "Child's Heart Train", are both directed by women. To be honest, I didn't pay attention to who the director was before watching them, but the impression is not deceptive. "Even if there are no descriptive, bloody, violent, or war scenes", it can still make people want to watch it deeply. It is almost the work of female directors. I am not dragging it down, but the female perspective is different. The language of love is outlined in the details, but it is never too sensational. It is restrained at the right time and the camera is restrained. It is probably a kind of female psychological language: because women understand love too much, when they really depict the scene of love, they leave many meaningful fragments and aftertastes, instead of directly cutting the picture in front of you, which is as boring as uncovering the answer. There are many great male directors, including those with scene arrangement and grand worldview, but when describing love, they seem to lack a kind of imagination. It is so interesting. When watching a movie, you are tasting the director's subconscious projection and emotional pattern, and who is behind the camera lens? This emotion cannot be hidden. Or let's put it this way, when male directors film maternal love, they always use the theme of "sacrifice", that is, the mother dies for her child, or the mother sacrifices the happiness of the rest of her life for her child, or the mother gives up something. The purpose is that a mother must be strong, and motherhood contains too much content about self-sacrifice and carries too many private implications. However, stories of maternal love shot by female directors are always more "gentle" to women. Letting a child go is love, accepting a child is love, sometimes coldly pushing a child away is love, but "not forgetting to live your own life" is also love. Female directors are good at shooting women who "live according to their own wishes but also love their children." So I understand that we really, really need more female directors. We need more female directors to shoot "women". For example, the role of "mother" has always been shot by male directors, with all kinds of private goods in patriarchal narratives, and is suffocated by the definitions of "sacrifice", "virginity" and "selflessness". If more female directors shoot women from the perspective of women, then the definition of the word "mother" will move towards new connotations in female narratives. More female directors are filming "what is motherhood" instead of male directors defining what motherhood is. Whoever holds the camera to express ideas is a kind of power in itself.
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Clown in a Cornfield
Saw the opening voice-over: “I love men and the only thing better than one man is two men when they’re touching and kissing each other.”
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